Rich harmonics and interstitial interactions between two bass clarinets, as Utah-based Katie Porter and Berlin-based Lucio Capece exchanged recordings to develop two compositions, the first focusing on expression in the context of freedom in time, the 2nd using strict time to explore the effects of overlapping-phasing; reference The International Nothing.

The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.